Or instead of crying silently, we could have her call the fairy godmother into the room and tell her about the hair. Not very subtle, but at least the audience could see it. Instead of a hair, we could have Cinderella find Petunia's nightgown. And this isn't a novel, where the narrator can describe the character's thoughts or fill in background information (some plays do have narrators, but I don't recommend using this option, which can seem old-fashioned nowadays). This isn't a movie, where the camera can zoom in. They don't know what thoughts or memories are in her head.They certainly can't see a single black hair.What do they see? Cinderella leans over the pillow, then walks over to the fire and holds out her hand. Sure, but a theater audience can't see any of that. She believed him then, but she won't be betrayed a second time." Two years ago, when she caught the Prince behind the barn with a milkmaid, he promised that he would never stray again. Thoughts of murder burn in her mind as she tosses the hair into the fireplace. "A silent tear rolls down Cinderella's cheek as she pulls a long black hair off Charming's pillow. At the bottom of the page, you'll find links to related pages on how to write a play or a screenplay. This is just one of many pages on this website with creative writing ideas and advice. Click here to go to Part 1 of the series. How to Write a Script for a Play - Part 2 This is Part 2 of the CWN series on how to write a script for a play.
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